Statement

As an artist deeply engaged with the principles of Geometric Abstraction, Post-Painterly Abstraction, and Op Art, my work explores the intricate relationships between color, shape, and pattern. Over time, my practice has evolved away from mimesis, embracing the use of simple shapes and primary colors to construct complex and dynamic pictorial spaces. I am also captivated by the materiality of my chosen mediums, considering how elements such as flatness, transparency, and opacity can be manipulated to deepen the dialogue within the composition. My exploration of color, shape, and materiality is reflected in the title Frik-Shuhn, the phonetic spelling of the word "friction," which serves as an overarching concept to highlight the interaction of various elements in the work. Rooted in the belief that the interplay of these elements mirrors and informs our perception of the world, I am fascinated by how the cognitive frameworks of perception weaves together seemingly disparate relationships into a cohesive narrative. Through the emphasis on repetition, seriality, and variation, I aim to evoke both novelty and familiarity, challenging viewers to reconsider how they perceive and relate to their surroundings. Ultimately, the work is an exploration of this duality—the immediate, holistic experience as it presents itself at first glance, and the dynamic nature of its parts, inviting viewers to engage with the subtleties and intricacies that emerge upon closer inspection.

Summer 2025